- Tom Foss at the Fortress of Soliloquy has decided that he's no longer going to be buying the title. "This is easily the absolute bottom-of-the-barrel worst book I buy each month. And this latest issue was doubly terrible... I know it's getting a new creative team in a few months, but I haven't been shown anything--anything!--to suggest that having Bart as the Flash is a good idea... The Flash: The Fastest Man Alive is a bad comic."
- Film Frontier's JediSheltie recognizes that writers Bilson and DeMeo have made an effort on The Flash, but can't help but agree with these other vocal reviewers. "Sadly, though I won't say I'm a slave to popular opinion, the mob can be right from time to time. I'll join in the general critical disdain for the relaunch helmed by Danny Bilson and Paul de Meo."
- Graig Kent of Rack Raids feels that "until now, the book has been of the 'just good enough to keep reading, not bad enough to drop yet' quality, but issue six, wrapping up the Griffin storyline, is untidy and wholly predictable and comfortably falls into 'bad' territory... The Flash experience to this point has not been an enjoyable one, which is too bad, because Bart, along with the Flash legacy, should be really entertaining reading."
- Michael Hartney, in his latest installment of Uncle Mikey's Funnybook Round-Up, serves up some heavy criticism of the current creative team. "Everyone associated with this book so far, with the exception of Karl Kerschl, should be ashamed of themselves. Paul DeMeo and Danny Bilson should be ashamed of themselves for fumbling this high-profile reboot with a story filled with nary a shred of surprise, excitement, or charm. Ken Lashley should be ashamed of himself for turning in such uninspired, shoddy pencils... That they managed to make even Infinite Crisis seem boring is truly a remarkable feat."
- Doug at Turning the Light Around admits that, although the book has been consistently poor since the relaunch, he loves the title character too much to drop the series. "It's a really terrible issue, but you can see them trying to haul this thing back onto the right track, so I'll be sticking around, giving these guys some slack, and looking forward to the Guggenheim run."
The intensity and bitterness in some of these reviews helps to reveal, I think, how highly people have always regarded The Flash as a comic book title. We're not just disappointed with the quality of the current series, we're angry. Why? Because we love this book, and we love this hero. For years, The Flash has consistently given us some of the greatest creative teams in comics, and we know that this title deserves the best. Truly, Guggenheim and Adrian have an imposing challenge on their hands.